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Statue Restoration and Repair Services

St. Michael’s Catholic Church in Grand Forks, North Dakota

Real Presence Radio - William Rerick
RPL 08.10.23 2/1 Artist William Rereick recounts how he restored and painted the stations of the cr
Statue Repair Services

Step 1: Contact us

Step 2: We execute your goal

Step 3: Enjoy Beauty

Statue Repair Process

Repair before damage spreads

Statues get brittle when their plaster is exposed to air. They need to be repaired and sealed so that the moisture content remains ideal. Contact us today to ensure your statue doesn’t crack further.

From cracks, to broken fingers, to shattered pieces, we promise to restore beauty to any damaged piece.

Statue Restoration Preparation Process

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Reviews

St. Michael’s Catholic Church, Grand Forks, North Dakota.

"I give Art By Rerick LLC my strongest recommendation for any community seeking to preserve their sacred heritage through his diligent craftsmanship."

— Rev. Raymond Courtright

St. Jude’s Catholic Church in Thompson, North Dakota.

“William Rerick did a wonderful job. He was friendly, quick to reply, and when he was able to begin he got the job done fast! Everybody loves the paint job on the Stations of the Cross and the updates on our large statues. With different Holiday decorations the stations just stand out even more.”

—Maureen Larrabee

St. Timothy Catholic Church, San Antonio, Texas.

"William Rerick is easy to work with. He adjusted the project to meet our needs. Before completing the job he made sure we were happy with every detail. We are excited to hire him for more projects."

— Rosalinda Soriano

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Our Process

Statue Restoration Preparation Process
Statue Restoration Preparation Process

Preparation

  • In order to ensure the immaculate restoration of statues they need to be thoroughly cleaned. Specialized cleaning solutions and tools are used to ensure an effective and gentle cleansing, safeguarding the integrity of the statue. We repair broken parts and remove chipped paint through careful sanding to prevent future flaking. Then several layers of paint designed to prime the surface are added. These steps are not only crucial in achieving optimal results, but they also rejuvenate the statue making it less brittle.t goes here

Religious statue restoration process
Religious statue restoration process

Theological Color and Composition

  • Many statue restorers make the mistake of thinking you do not have to add shading and texture to a statue, or worse, they don’t know how color communicates meaning. We execute strategic highlighting and tonal shading to enhance liturgical visibility. Some figures require high contrast to maintain legibility from a distance, while specific fabrics are rendered with varying luster levels to denote rank or divinity. The color scheme is a primary theological consideration; color not only evokes profound emotions but also represents specific iconographic traditions. Additionally, we consider the temperature of the sanctuary lighting so that the end results match the environmental expectations.

Hand-brush vs air brush statue restoration techniques
Hand-brush vs air brush statue restoration techniques

Hand-Brush vs. Air Brush

  • Using a brush allows me to emphasize the textures that one would see in real life. An airbrush makes the process quicker, but doesn’t show texture. It can also make the statues look like they came from a factory. With a brush, I leave a human touch with the artwork just like the great masters of classical art.

protective finishing for restored statues
protective finishing for restored statues

Protective Finishing

  • I add the final details, wait for the statues to fully dry then give them protective layers. These layers help protect the statues from UV damage, dusting, and cleaning so that the statues continue to look alive and beautiful for generations to come.

Ecclesiastical restoration of religious statues
Ecclesiastical restoration of religious statues

Ecclesiastical Mission

  • My team (mostly my wife) and I are honored to be able to make art that praises God and helps others to do so as well. I can’t think of a more important goal of art.

Statue restoration timeline and project investment
Statue restoration timeline and project investment

Timeline & Investment

  • For each project, we provide a comprehensive timeline before beginning work. We prefer to provide conservative estimates to ensure the highest quality of craft. You will find our work to be both technically refined and efficiently executed. Unless noted in the bid, costs remain fixed. Materials, travel, and all other logistical expenses are integrated into the final price.

    My team and I love meeting parishioners and being able to pray in our workspace.

Theologically Correct Restoration

Beautiful art is guided by theology. Be cautious with who you hire to restore statuary. There is religious meaning in everything from color to shading! We have the expertise not only in craft, but also to make theologically correct restorations that guide the faithful.

Marble statue cleaning and repair services
Marble statue cleaning and repair services

Marble Cleaning and Repair

Do not do this on your own! Marble statues are extremely fragile. That is why artists used marble in the first place. Deep cleaning marble statues requires an artist’s eye in order to not affect the original craftsmanship. Using a pressure washer will destroy your beautiful statue! True Marble cleaning takes patience and knowledge.

Letter for St. Michael’s Parish Bulletin

When I first heard that Father Courtright wanted to paint the stations of the cross at St. Michaels I was hesitant. Born and raised in Grand Forks, St. Michael’s has always been my understanding of what a Catholic Church should look like. I used to look up at those statues in awe and wonder, but I’d also be trying to comprehend them. As I engaged with their shapes of light and shadow I thought of them as being quite abstract like otherworldly forms. I did not see them as scenes of the passion of Christ. I saw the stations the way I was inclined to. Similarly, Father pointed out that in the first station, the club looks like a baseball bat. After considering the importance of witnessing Christ’s passion, I knew they needed to be painted. 

When I was a teenager kneeling in St. Michaels, I distinctly remember asking God to make me an artist who was good enough to do something for a church like this one. This church has had profound impacts on me both consciously and unconsciously as an artist. While completing my Masters in Art, I tried to figure out where my stylistic inclinations came from. I realized it was from St. Michael’s and in particular its stained glass windows. I read that the founder of the Chicago workshop, Munich Studios, was influenced by Renaissance artists such as Bellini, Tintoretto, and Titian. It is no wonder they are some of my favorites as well. I revere the windows in this church and am influenced by them every time I gaze at them. As I paint the stations of the cross I am not worried about distracting from them because how could I!? Powered by the sun they are too big, powerful, and beautiful to be distracted from even by a movie screen. Instead of worrying about being a distraction, I consider how I can compliment the windows through color. The windows depict scenes of joy and revelation, thus their colors are bright and royal. The stations depict a somber subject, thus I tone them down and give them melancholic colors such as jewel tones. 

It has been a spiritual experience painting in the basement of the church. I get to be near weddings, funerals, Mass, adoration, and all the wonderful people that find opportunities for service and community through the church. St. Michael’s is certainly alive! It’s been a joy to talk with people that stop by to visit. What more can an artist want than to have their work be seen and discussed? I wouldn’t have this opportunity if it weren't for the generous donations of parishioners. I can’t think of a better recipient of art than the people looking to beautify their church. Many of the most famous artworks were paid for not by the church, but by parishioners, such as how Giotto was commissioned by a wealthy banker for his landmark paintings in the Scrovegni Chapel or how the Painted Churches in Texas were funded by and painted by the immigrants that moved there from Germany and the Czech Republic. 

I am not Giotto, but I recognize the sacredness of this task. With that in mind, I want to say thank you for trusting me with this project in our beautiful church. I hope you’re praying that I complete it the way God desires!

William Rerick 2024

Nationwide Statue Restoration Services

William Rerick provides professional statue restoration and statue repair services for churches, sacred spaces, collectors, and historic properties across the United States. We proudly serve clients in North Dakota, Montana, South Dakota, Minnesota, Texas, Louisiana, Oklahoma, Idaho, Arkansas, New Mexico, Kansas, and Colorado.

Our services include religious statue restoration, crack repair, repainting, refinishing, marble statue cleaning, and protective finishing for indoor and outdoor statues.

Whether you need statue restoration in Texas, statue repair in Colorado, or religious statue restoration in Minnesota, every project is completed with expert craftsmanship and respect for the original artwork.